
Aboriginal Oral Traditions
Theory, Practice, Ethics
The scholarship in this book may be grouped into three broad areas: oral traditions and knowledge of the environment, economy, education and/or health of communities; oral traditions and continuance of language and culture; and the effects of intellectual property rights, electronic media and public discourse on oral traditions.
About the book
Oral traditions are a distinct way of knowing and the means by which knowledge is reproduced, preserved and transferred from generation to generation. The conference from which these essays were selected created an opportunity for people to come together and exchange information and experiences over three days. The scholarship may be grouped into three broad areas: oral traditions and knowledge of the environment, economy, education and/or health of communities; oral traditions and continuance of language and culture; and the effects of intellectual property rights, electronic media and public discourse on oral traditions.
Contents
- Preface: Oral History and Oral Traditions (Stephen J. Augustine)
- Introduction: A Layering Of Voices: Aboriginal Oral Traditions (Renée Hulan and Renate Eigenbrod)
- The Assault on Aboriginal Oral Traditions: Past and Present (Andrea Bear Nicholas)
- Silas T. Rand’s Work Among the Mi’kmaq (Stephen J. Augustine)
- The Little Boy Who Lived with Muini’skw (Bear Woman) (Catherine Martin)
- Conflicts, Discourse, Negotiations and Proposed Solutions Regarding Transformations of Traditional Knowledge (Greg Young-Ing)
- A Bad Connection: First Nations Oral Histories in the Canadian Courts (Drew Mildon)
- Amplified Voices: Rebecca Belmore’s Reinvention of Recording Technologies in the Transmission of Aboriginal Oral Traditions (Sophie McCall)
- Fighting with Our Tongues, Fighting for Our Lives: Talk, Text and Amodernity in Warlpiri Women’s Voices: Our Lives, Our History (Michèle Grossman)
- Voices Heard in the Silence
- History Held in the Memory: Ways of Knowing Jeannette Armstrong’s ‘Threads of Old Memory’ (Tasha Hubbard)
- Theatre as Suture: Grassroots Performance Decolonization and Healing (Qwo-Li Driskill)
- Contributors
